When we blindly adopt a religion, a political system, a literary dogma, we become automatons. We cease to grow. Stated by Anais Nin, this reprize reflects the men of cherry, Oklahoma, a townsfolkship built on righteousness, reverence and moral law. As the men of chromatic begin to sense change in their town, they lay their pain, their terror and murderous animosity (book cover), upon a group of exiles seventeen miles outside of the town. These exiles, all women, exsert in the Convent, a school where stilled Arapaho girls once sat (Morrison 4). What goes molest in Ruby though, cannot be blamed on the women of the Convent, kinda it is the mens inability to recognize and cope with change. The town of Ruby is compriseed on the basis of the past. Nine families (who are later subtend as the eight-rock) escape the town of Haven because of the dust cockle occurrence. During their escape from Haven and their journey to find a staring(a) town to live in, the famili es are not accepted anywhere. cancelled away by rich Choctaw and poor whites, chased by yard dogs, jeered at by camp prostitutes and their children, they were nevertheless spur-of-the-moment for the aggressive discouragement they received from Negro towns already macrocosm built (13).
The nine families who are faced with this prejudice appoint the town of Ruby, a utopian society where nothing or no one can alter it. The intromission of the town incorporates the transportation of the Oven, a place where baptismal ceremonies are performed. The Oven symbolizes a great deal more than that; it is what represents the town of Ruby. Piece by piece, brick by brick, the founding fathe! rs of the town carried the Oven from Haven to Ruby. The Oven is so of import to the men because it is their only... If you desire to get a full essay, value it on our website: BestEssayCheap.com
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